This article aims to explore the experiences of eight dancers, who have Parkinson’s disease (PD), with dance as a performative form of the arts. The data of this qualitative research consists of a semi-structured online questionnaire and a focus group discussion. The data was analyzed using inductive thematic content analysis and approached in an abductive manner in the context of social identity theory. Two main themes emerged from the analysis: embodied social connectedness and de-medicalization of PD.